So pleased to be one of the 159 poets from across Australia whose work was chosen to be in this anniversary anthology from Ginninderra Press.
It promises to be an exhilarating and often surprising foray into the many facets of ‘wild’ — human, animal, environmental and metaphorical.
More information about the anthology here: Wild
as pearls spilled
from a string—
an indigo sky
flashed with lightning
of alto melody
swaddled in a shawl
of homemade lullabies
milk bottles dotted
sunlit with sugar grains
even white loops
of baby-yarn slide
on tortoiseshell needles
pale cakes rising
in the gas oven
a child wakes
to the sound of dishes
and quiet footsteps—
on the wireless
Waiting for the Night began as a 195 word student assignment in 2008 for Libby Hathorn’s class on children’s literature in the Master of Creative Writing course at the University of Sydney.
It was only when I was clearing out some old files two years ago that I found the draft and decided it was worth revising. I spent a little time re-writing before sending the manuscript around to publishers.
Interactive Press (IP) responded with a positive email in 2016. The search for a suitable illustrator began. Early in 2017, Anna Seed and I signed a publishing contract with IP, and Anna began creating her vibrant illustrations.
The text went through many further drafts, changes and revisions in consultation with IP editor and publisher Dr David Reiter and illustrator Anna Seed. The flying fox was particularly troublesome! And many rewrites ensued.
At last, in March 2018, ten years after the first version, here is the cover for the published book. I hope that you and your little people will enjoy Waiting for the Night.
How To Order
and another birthday
before turning the fourth
corner of the year
these book-lined walls
all thought, every emotion
on my calendar I schedule
a day to run free
last day of term
locking the library door
I check myself out
for a long, long loan
(Tanka Splendor Winner 2006)
Congratulations to Interactive Press on their 20th year anniversary and anthology,
Just off Message!
Thank you to editor David Reiter for including some poetry of mine in this celebratory book.
As he writes on the IP website, it is important to remember that “independent publishing houses like IP are, and always will be, an essential part of the cultural landscape” offering opportunities to local and emerging writers.
I’m looking forward to reading the work of all the contributing writers.
Last January, I saw the email call for submissions from Christmas Press for their 2017 anthology, A Christmas Menagerie.
I spent several afternoons devising a story based on memories my mother had told me, about a Christmas she had on the family dairy farm at Federal in the 1930s when she was a girl.
Although I have made up the characters and the plot, there really was a cranky cow called Pansy who gave my mother a black eye when being milked.
All their cows had names. This photo isn’t Pansy, the cranky cow. When we were going through photos, sorting out names and places, Mum told me it was Anzac, a nice cow born on Anzac Day.
The surprise Christmas meal was also true, and I know that Mum and her family had sing-a-longs with friends for which my grandfather played the fiddle. They were Methodists, and music was essential to their lives.
We celebrate Christmas without her now, but I hope Mum would be pleased that a story she gave me so many elements for is now in print.
It was a wabi-sabi sort of day last weekend, when I met with poetry friends for a garden ginko. We took some time to slow down, walk around a winter garden, and notice the textures of foliage, stone and wood.
Camellias, jonquils, and other rarer blooms we couldn’t name were there for the keen-eyed poet to discover.
In these moments of reflection, we may have also learnt something about ourselves.
that once held the weekly wash
now cradle spring bulbs
. . . each day I find
a new skill to master
© Julie Thorndyke